is ideal for students, amateur enthusiasts, musical scholars, beginning artists, and professional musicians—anyone who wants to experience the joy of listening to and playing this thousand-year-old folk genre.
Yale Strom is one of the world’s leading ethnographers of klezmer culture.
He has been doing field research among the Jews and Roma in Central and Eastern Europe on the topic since 1981.
He is a graduate of San Diego State University and New York University and currently is artist-in-residence in the Jewish Studies Program at SDSU.
October 2012 • 160 pages $45.00 • Paperback Call toll-free: 1-800-462-6420 ...
Nearly all are teased because of their differences and feel the hurt of anti-immigration prejudice. Yiske and his band of klezmer musicians must find a groom to participate in averyunconventional wedding.
The young immigrant voices come from Bangladesh, Mexico, Kuwait, Romania, Yemen and other countries that will grab readers with their candor, sophistication, and diversity. An unusual folktale based on the old European Jewish custom of holding a wedding in a cemetery to ward off a cholera epidemic.
Join Yiske, his fellow musicians and his clever horse Fairdy in this ghoulishly delightful tale.
"With his village beleaguered by an outbreak of cholera, Pinsk’s learned Rabbi Yamferd decides, as legend dictates, to initiate a miracle by officiating at a “black wedding” of two orphans in a cemetery" From world renown musician, ethnomusicologist, documentarian, and klezmer artist Absolutely Klezmer Volume 2!
This incredible collection of music can also be found in The Complete Klezmer Songbook available from Transcontinental Music Publication.
Shpil: The Art of Playing Klezmer, a slim yet information-rich volume edited by accomplished klezmer violinist and ethnographer Yale Strom.
Filled with historical details, practical advice, technical instruction, musical examples and illustrative anecdotes, this all-in-one book gathers the wisdom of renowned klezmer performers, specifically Peter Stan (accordion), Jeff Pekarek (bass), Norbert Stachel (clarinet), David Licht (drums), Yale Strom (violin) and Elizabeth Schwartz (vocals).
" Hailed as "The Benny Goodman of klezmer," Dave Tarras is considered the most influential klezmer musician of the Twentieth Century. He immigrated to America and after a brief stint as a furrier, began to make a living with his clarinet.
Scion of a musical family in Ternovke, Ukraine, Tarras played at weddings for Jews and non-Jews ? From 1925 until his death in 1989, Dave Tarras set the standard for klezmer musicianship and virtuosity.
Even the great be-bop artists Charlie Parker and Miles Davis travelled to the Catskills to study the technique of this complex and compelling virtuoso.
Contributors include a cast of musicians who have recorded, performed, and studied klezmer for years and have performed throughout the world..
They are Norbert Stachel (clarinet), Peter Stan (accordion), Jeff Pekarek (bass), David Licht (drums), Elizabeth Schwartz (vocals) and Yale Strom (violin).
They are all members of the klezmer ensemble HOT PSTROMI.
Each chapter concludes with a selection of three songs that illustrate and exemplify the history and techniques already described.
Shpil includes a “klezmer glossary” of mostly musical terms and a discography of both classic and new klezmer and Yiddish recordings, all designed to guide readers in the appreciation of this remarkable musical genre and the art of playing and singing klezmer tunes.
Author Yale Strom spent months interviewing the people who knew Tarras best: his musical collaborators and family members.
The first biography authorized by the Tarras family, this book includes newly discovered personal and historical facts about Dave Tarras and the world in which he lived and played, and priceless photographs from the family archives.
Twenty-eight of Tarras' melodies as written by Tarras and discovered in his manuscripts are presented in arrangements for C and B-flat instruments.
An essential book for anyone interested in klezmer or Jewish cultural history. ...recently published an oral history titled “Dave Tarras: The King of Klezmer,” beginning with Tarras’s birth into a family of klezmorim in czarist Russia and ending with his death at age 92 in 1989.
The book also includes rare photos of Tarras, his family and colleagues, as well as sheet music for 28 of Tarras’s melodies, arranged by Strom and Jeff Pekarek." KLEZMER - WORLD MUSIC: PLAY - ALONG Universal Edition 4 books are avilable - Violin, Clarinet, Saxophone, Flute (Each book comes with CD) KLEZMER - WORLD MUSIC: PLAY - ALONG Universal Ensemble Book One book contains all parts for Violin, Clarinet, Saxophone, Flute, Accordion, Bass and Percussion and a CD. In Yale Strom's book: "Quilted Landscape: Conversations with Young Immigrants" he spoke to young newcomers in schools in New York, New Jersey, Illinois, Michigan, and California. They might struggle with English, but they can't believe Americans would know only one language. Many have been through a lot, and they feel more mature than their American peers.
Yale Strom and his band Hot Pstromi; mix the traditional Klezmer melodies, with a hot new sound like nothing else you have ever heard.
Yale and his band take Klezmer to a whole new level; jammin with some 5, 6, 7 minute tunes.
You can also hear the beautiful mezzo voice of Elizabeth Schwartz on such standards as (Jewish Blues No. Composed just minutes before they recorded it in the studio the melody has a jazz/klezmer feel as if written for a Betty Boop cartoon.
Features: Elizabeth Schwartz - vocals, Yale Strom -violin, Peter Stan - accordion, Norbert Stachel - reeds and Jim Whitney - bass A klezmer "fake" book the draws upon Yale Strom's many years of field research and archivism.
The book includes some of the better known klezmer instrumental pieces as well as tunes from out-of-print sources and never before transcribed field recordings.
is both a history of this popular form of traditional Jewish music and an instructional book for professional and amateur musicians.
Since the revival of klezmer music in the United States in the mid-1970s, klezmer and Yiddish song now serve as the soundtrack for the resurgence of interest in European Jewish culture across the globe.
Its high energy, emotionally-driven sound and evocative Yiddish lyrics have found audiences everywhere.